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The Glory of Tillai-Vazh Anthanar


(thillaivaz anthaNar purANam - Periyapuranam as English poetry)

 
 
        "I am a servitor of the servitors 
        Of the Brahmins who dwell at Tillai." 
 
                        - The Tiru-th-Tonda-th-Tokai 
 
1.     It is the beginning, the middle and the end; it is 
    Immeasurable by logic, and cognizable only by Gnosis; 
    It is light animating consciousness; it pervades all 
    In their manifestation as the One non-separate; 
    It is the male and the female; it is the illuminating Dance 
    Enacted in Tillai’s Court! Praise be!                        (350) 
 
2.     It is beyond the ken of Imagination; its form is Mercy; 
    It is poised in wondrous Beauty; it abides at Tiru-ch-chitrambalam 
    As the Ether of Gnosis – the great peak of the Vedas rare; 
    This is the Grand Dance enacted by the feet, 
    Ankleted and flowery! Praise be!                        (351) 
 
3.     Hailing (the feet of the Dancer) I’ll narrate 
    The glories of the Brahmins of Tillai eternal. 
    They are blessed with the beatific right to serve 
    The beauteous Dancer, the Wearer of the Holy Ash; 
    All glory is contained by them; they are firm-rooted 
    In the service of worship; with ever-increasing love 
    For the Lord’s feet, they flourish as tapaswis great.                (352) 
 
4.     With beauteous ornaments rich beyond reckoning 
    They deck the Lord and perform the auspicious rites; 
    They hail the Lord with the words of the Gospels; 
    They render gloriously all other service, befitting them; 
    Service within the Lord’s temple and shrine is theirs.                (353) 
 
5.     Poised in dharma, they cultivate and master the four Vedas 
    And their sextuple components of radiant truths; 
    They trend the Triple Fire that lives may thrive in grace; 
    They are rich in their servitude divine 
    Of the great Lord of the Grand Dance.                        (354) 
 

The Glory of Tillaivazhanthanar

 

 6.     They descend of a flawless race and are impeccable; 
    By their sovereign acts sixfold, they have chased Kali away; 
    They deem as wealth true, only the Holy Ash; 
    Love of Siva is all that they seek after; thus they thrive.            (355) 
 
7.     Flawless is their mastery of Charya, Kriya, Yoga and Gnana; 
    They are great in munificence and ascesis; 
    They are ever-poised in righteousness; 
    They lack nothing; poised in patience and honour 
    They live as householders hailed by the whole world.                (356) 
 
8.     They are the divine Brahmins whose intellect 
    Hath been by Siva clarified; they are 
    Three thousand strong who have in this very life 
    Gained the Lord-God for their adoration. 
    What other beatitude are they in need of? 
    They alone are their equals; unique is their glory.                (357) 
 
9.     Is it in our power to inscribe the limits of their glory? 
    Did not the Lord of Aroor who commanded Van-tondar 
    To compose the Tiru-th-Tonda-th-Tokai – the fruit and fruition 
    Of the Tamil tongue that reigns in the south --, 
    Grace him with words divine to commence his hymn, 
    And these, the very subject of His words?                    (358) 
 
10.     May the glorious Brahmins divine of sublime Tillai 
    Hailed by all the world, flourish well in this wide word; 
    Hailing the gracious dance of our Father in Tillai’s Court 
    We now narrate the tapaswic life 
    Of the glorious potter Tirunilakantar, 
    The truthful devotee of loving-kindness.                    (359) 
 
---------------- 
 
Stanza    Line 
 
   1       1    In Hopkins’ phrase it is “home-of-all, womb-of-all”. 
 
       2    cf. Siva Gnana Botham, Sutra the sixth. 
 
       3    cf. Siva Gnana Botham, sutra the eleventh. 
 
       4    The One        :    The One in advaitic relationship (with all). 
        non-separate 
 
       5    The male and the female: 
        cf. “This whole wide world is only he and she.” 
 
                    - Sri Aurobindo, Savitri. 
 
    5-6    The illumining Dance …… Court: 
 
        cf. How can we know the dancer from the dance?” 
                    - W.B. Yeats. 
 
       6    Tillai’s Court    :    Chith-Ambalam. 
 
   2       1    Imagination    :    cf. Pasu and Pasa knowledge. 
 
        Mercy        :    Grace. 
 
   5       2    Sextuple 
        components    :    They are the treatises on Siksha, Kalpa-Sutra,  
                    Vyakarana, Nirukta, Chandovicity, and Jyothisha. 
 
       3    Triple-Fire    :    Agavaniya, Dhakshinagni and Garhapatya. 
 
 
 
 
Sincere thanks to Sri. T N Ramachandran of thanjavur, for permitting his English rendering of the holy text periyapurANam be published here.

See Also: 

  1. thillaivAzandhaNar purANam in English prose 

  2. தில்லைவாழந்தணர் புராணம் (தமிழ் மூலம்) 

  3. thiruththoNDar purANam main page

  4. 12 shaivite thirumuRais 


 

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